Tuesday, November 13, 2012
A digital decade
The picture at the head of this post has a special significance; it's the first digital photograph I took - almost exactly ten years ago. I know this because the file is date stamped and it's the first to show in the tab named 2002 General which sits under the Pictures Folder.
In a rare reversal of the norm, in which long-gone events could be yesterday, I find it astonishing to think it's only a decade since I stopped using Kodachrome. The days of counting down exposures, posting off film and waiting for your prints to arrive - then sticking them in a leather bound book - seem much further back.
My boys don't remember at all. To them, chemical photography is a thing of history - it's marketed now as Lomogrpahy: low-tech, vintage and trendy. Devotees place particular value on the random outcome, using plastic cameras and prizing 'out of date' film for its unreliability. Film must be one the few technologies that having endured so long was so quickly and comprehensively replaced.
But I don't lament it's passing. Digital photography is a great improvement. The ability to reel off (okay so we haven't lost the language of analogue yet) picture after picture, send them round the world, post to a blog, display them instantly - fantastic. And the quality of even the cheapest cameras is incomparable to the grainy Instamatics they sold in Jessops. The camera on my phone is now better than almost any 35mm compact.
Nor do I miss my photo albums. In the next room lie thirty years of images, unseen in a wooden chest. Meanwhile, there's a decade of pictures on my computer, constantly being referenced, viewed on the screensaver, shown to friends... I must have viewed these a thousand times more than I ever did the physical prints.
I use the pictures for my writing too. Notes and sketches remains important, but in the landscape a digital camera is now my first choice - and for identifying insects or flowers it's unsurpassed. Often I create a montage as a writing prompt, a sort of 'mood board' that's not literal, but a reminder to the senses. I developed this technique from painting - always using wallet size prints on the cheapest paper I could find.
Notes shouldn't be an end in themselves. 'Never be precious' my painting tutor used to say, but that can be difficult if you're destroying hard won work. A delight of digital is that you can scribble all over the print outs - and yet still have the image in reserve; it has a kind of cake and eat it quality.
I could go on and on. But the general point is that we should embrace and celebrate this particular technology. And as I look at the image above, I wonder how much more change there'll be in the next ten years. More, no doubt, than I can imagine - I hope it's as much for the good.